As far as WIRED can tell, no one has ever died because a piece of space station hit them. Some pieces of Skylab did fall on a remote part of Western Australia, and Jimmy Carter formally apologized, but no one was hurt. The odds of a piece hitting a populated area are low. Most of the world is ocean, and most land is uninhabited. In 2024, a piece of space trash that was ejected from the ISS survived atmospheric burn-up, fell through the sky, and crashed through the roof of a home belonging to a very real, and rightfully perturbed, Florida man. He tweeted about it and then sued NASA, but he wasn’t injured.
Leon’s old scars will have to wait, anyway. Requiem’s new blood is FBI analyst Grace Ashcroft. Equal parts tenacious and nervous, she’s a fitting lens on the horror portion of Requiem’s split focus between disempowered terror and cathartic action. The story opens with Grace – more acquainted with desk work than field ops – tasked to go over a crime scene at a gutted hotel. She knows the place well, since it holds some horrific memories for her. Still, she heads off with little more than a flashlight and a pistol you’ll never find quite enough ammunition for to feel safe.
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这种定位通过纪录片创作得以深化。剪辑陷入瓶颈时,他的导师提供了颠覆性的建议:关掉所有画面,只聆听采访录音,两个月内不看影像。这对习惯于视觉思维的创作者而言,无异于一次“信仰的飞跃”。他照做了,两个月里,他只面对亲人们的声音。那些用粤语、英语讲述的,充满情感风暴、时常跳跃、夹杂着痛苦与怨愤的叙述,动荡时期的恐惧、逃亡路上的艰辛、家庭内部的委屈,所有这些情绪,剥离了画面的修饰,以最直接的声音形式冲击着他。
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Initially, analysts say it is likely that people who currently pay for both services could get a cheaper overall deal.